Corridor of Mirrors Online Streaming
A British attempt to match the poetry and lyricism of the French cinema of the late 1940s. Eric Portman plays a contemporary artist who tends to live in the past. He surrounds himself with Renaissance artwork, obsessed with the notion that he and his lady friend (Edana Romney) are reincarnations of the lovers in a centuries-old painting. Portman's delusions eventually lead to murder.
Movie details Corridor of Mirrors
Release : 1948-07-24Genre : Drama, Mystery
Runtime : 105 minutes
Company : General Film Distributors
Cast
| Eric Portman | as | Paul Mangin | |
| Edana Romney | as | Mifanwy Conway | |
| Barbara Mullen | as | Veronica | |
| Hugh Sinclair | as | Owen Rhys | |
| Bruce Belfrage | as | Sir David Conway | |
| Alan Wheatley | as | Edgar Orsen | |
| Joan Maude | as | Caroline Hart | |
| Leslie Weston | as | Mortimer | |
| Hugh Latimer | as | Bing | |
| John Penrose | as | Brandy | |
| Christopher Lee | as | Charles | |
| Lois Maxwell | as | Lois | |
| Mavis Villiers | as | Babs | |
| Thora Hird | as | Visitor in Tussauds |
Available Posters
Some Reviews
Corridor of Mirrors (1948)Even in my sleep he would be there watching me from the corridor of mirrors.Corridor of Mirrors is directed by Terence Young and adapted to screenplay by Rudolph Cartier and Edna Romney from the novel written by Chris Massie. It stars Eric Portman, Edana Romney, Joan Maude, Barbara Mullen, Alan Wheatley, Hugh Sinclair and Bruce Belfrage. Music is by Georges Auric and cinematography by Andre Thomas.A woman travels from Wales to Madame Tussauds in London for a rendezvous with her lover. The rest will be told in flashbackLaughter had a strange effect on himCorridor of Mirrors is a hypnotic and nightmarish experience, not in that scared to death kind of way, but in a nightmare where nothing allows you to be comfortable, keeping you in a realm of purgatory, what is real imagined or otherwise? The crux of the story concerns a man, Paul Mangin (Portman), who lives in the past and is obsessed with Mifanwy Conway (Romney), who not only looks like the portrait of a lady that hangs in the Mangin palace, but on Mangins insistence was his lover centuries in the past.Would you care to continue the adventure?What follows during the course of the story are subjects ranging from reincarnation, obsessive madness, fetish kinks, seduction, fantasist leanings and murder. To passionate romance, heartfelt regret and soul cleansing. The unusual story, unique maybe? Enjoys toying with audience expectations, even taking famous literary inspirations and fusing them into this Baroque world, with seasoning of the macabre for added spice. As the Mangin/Conway relationship develops, the tension becomes palpable, fear and trepidation vie for control over wistful yearnings. What will win out in the end?Whats behind the curtain?The look, sound and feel on offer here is quite simply magnificent. This is Gothic noir nirvana. Young and Thomas shoot the film in what I think is an average of 99% shadows and low lights, its the darkness in daylight effect as shards of light struggle to pierce the gloom through the Venetian blind slats. Candlelight, Scotch mist, moonbeams, canted angles and otherwise all play their atmospheric part, and then there is the backdrop and propsThe Mangin palace is vast in its opulence, complete with the titular corridor of mirrors. Behind each mirror is something that links Mangins obsession with the past, it is eeriness personified. Mannequins, wax work figures and dolls feature prominently, the Tussauds connection is the Chamber of Horrors, naturally. Spooky harp, spooky housekeeper (again, naturally), and Aurics musical score is a blend of the sinister with poetic whimsy. And the crowning sequence is a Venetian costume ball, a decadent soire that looks magnificent, but craftily it asks just what is beneath the costume faade of it all?Its a little too bonkers and creaky in plot development at times, but it knows this and embraces the short comings to keep with the unstable off-kilter vibe. Unfortunately its a difficult film to track down in good quality home format form, but if you can find a reliable source and you love Gothic noir or Baroque fantasies, then this is for you. 8/10Even in my sleep he would be there watching me from the corridor of mirrors.Corridor of Mirrors is directed by Terence Young and adapted to screenplay by Rudolph Cartier and Edna Romney from the novel written by Chris Massie. It stars Eric Portman, Edana Romney, Joan Maude, Barbara Mullen, Alan Wheatley, Hugh Sinclair and Bruce Belfrage. Music is by Georges Auric and cinematography by Andre Thomas.A woman travels from Wales to Madame Tussauds in London for a rendezvous with her lover. The rest will be told in flashbackLaughter had a strange effect on himCorridor of Mirrors is a hypnotic and nightmarish experience, not in that scared to death kind of way, but in a nightmare where nothing allows you to be comfortable, keeping you in a realm of purgatory, what is real imagined or otherwise? The crux of the story concerns a man, Paul Mangin (Portman), who lives in the past and is obsessed with Mifanwy Conway (Romney), who not only looks like the portrait of a lady that hangs in the Mangin palace, but on Mangins insistence was his lover centuries in the past.Would you care to continue the adventure?What follows during the course of the story are subjects ranging from reincarnation, obsessive madness, fetish kinks, seduction, fantasist leanings and murder. To passionate romance, heartfelt regret and soul cleansing. The unusual story, unique maybe? Enjoys toying with audience expectations, even taking famous literary inspirations and fusing them into this Baroque world, with seasoning of the macabre for added spice. As the Mangin/Conway relationship develops, the tension becomes palpable, fear and trepidation vie for control over wistful yearnings. What will win out in the end?Whats behind the curtain?The look, sound and feel on offer here is quite simply magnificent. This is Gothic noir nirvana. Young and Thomas shoot the film in what I think is an average of 99% shadows and low lights, its the darkness in daylight effect as shards of light struggle to pierce the gloom through the Venetian blind slats. Candlelight, Scotch mist, moonbeams, canted angles and otherwise all play their atmospheric part, and then there is the backdrop and propsThe Mangin palace is vast in its opulence, complete with the titular corridor of mirrors. Behind each mirror is something that links Mangins obsession with the past, it is eeriness personified. Mannequins, wax work figures and dolls feature prominently, the Tussauds connection is the Chamber of Horrors, naturally. Spooky harp, spooky housekeeper (again, naturally), and Aurics musical score is a blend of the sinister with poetic whimsy. And the crowning sequence is a Venetian costume ball, a decadent soire that looks magnificent, but craftily it asks just what is beneath the costume faade of it all?Its a little too bonkers and creaky in plot development at times, but it knows this and embraces the short comings to keep with the unstable off-kilter vibe. Unfortunately its a difficult film to track down in good quality home format form, but if you can find a reliable source and you love Gothic noir or Baroque fantasies, then this is for you. 8/10

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Corridor of Mirrors (film) - Wikipedia, the free encyclopedia
Corridor of Mirrors is a 1948 British drama film directed by Terence Young and starring Eric Portman, Edana Romney and Barbara Mullen It was based on a novel by ...
Corridor of Mirrors is a 1948 British drama film directed by Terence Young and starring Eric Portman, Edana Romney and Barbara Mullen It was based on a novel by ...
Corridor of Mirrors (1948) - IMDb
Directed by Terence Young. With Eric Portman, Edana Romney, Barbara Mullen, Hugh Sinclair. A man falls in love with a beautiful young woman and begins to suspect that ...
Directed by Terence Young. With Eric Portman, Edana Romney, Barbara Mullen, Hugh Sinclair. A man falls in love with a beautiful young woman and begins to suspect that ...
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